The Leaf Peepers Concert Series Plans A Bold 35th Season
By Amy Krzanik
Composer Tonia Ko
Borrowing its name from our region’s annual fall phenomenon, The Leaf Peeper Concert Series, presented each year by Clarion Concerts in Columbia County, will hold four unique performances at four different area venues every other Saturday from Sept. 10 to Oct. 22. The series — born in New York City in 1957 by the late musicologist and conductor Newell Jenkins and his partner, Jack Hurley — is helmed by acclaimed flutist Eugenia Zuckerman, who took over from Sanford Allen, a former violinist with the New York Philharmonic who directed the series from 1996 until his retirement in 2014.
Although it’s the oldest classical music organization in the county, the series doesn’t dwell in the past, and is known for mixing traditional and contemporary chamber music, providing performance opportunities for promising young artists, and commissioning new works.
Zuckerman, who served as artistic director of the Bravo! Vail Valley Music Festival for 13 years, is excited about the stellar lineup of musicians participating in this year’s series. You can witness two of these superstar young musicians, pianist Jeewon Park and cellist Edward Arron — who will be performing with violinist Tessa Lark and Paul Green on clarinet — right out of the gate during “Autumn Echoes,” the first of the series’ concerts this Saturday at the Hawthorne Valley Waldorf School in Ghent, NY. Along with works by Beethoven, Schoenfeld and Brahms, “Echoes” will include “Elegy for Cello and Piano,” which the series commissioned from Tonia Ko and which will be performed for the first time ever during the concert.
The Shanghai String Quartet
“Our opening concert will take place at a school on a working farm,” says Zukerman, “and I think that speaks to the whole concept of this area and what I love about it. Even though houses are far apart, there’s a real sense of community here, and an interesting mix of older and younger people.”
The rest of the lineup is no less thrilling, and we can see why Leaf Peepers almost doubled its attendance during its 2015 season. The second concert, “From East To West,” will feature the much in-demand Shanghai Quartet, who will be joined by Zukerman on flute, at St. James Church in Chatham, NY.
“Classically Romantic,” at Our Lady of Hope Church in Copake on Oct. 8, will feature Daniel Chong, first violinist in the Parker Quartet, along with Melissa Reardon, a violist in the Grammy-nominated Enso String Quartet, and cellist Raman Ramakrishnan who is a founding member of the Horszowski Trio.
“What I love about the musicians I’ve invited is that these are people who play a lot with their own groups, but also they’re curious and interested in playing with other people,” says Zukerman. “They’re very enthusiastic, fun and flexible performers.”
Leaf Peepers concludes with “Basking in the Baroque” at Hillsdale Methodist Church on Oct. 22. Cellist Astrid Schween of the Juilliard String Quartet and pianist Giovanni Reggioli will be joined by baritone Gustavo Ahualli and Zukerman’s daughter, soprano Arianna Zukerman.
The Leaf Peeper Concert Series
Sept. 10: “Autumn Echoes” at Hawthorne Valley Waldorf School, Ghent, NY
Sept. 24: “From East to West” at St. James Church, Chatham, NY
Oct. 8: “Classically Romantic” at Our Lady of Hope Church, Copake, NY
Oct. 22: “Basking in the Baroque” at Hillsdale Methodist Church, Hillsdale, NY
All concerts begin at 7:30 p.m.
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Oldtone Roots Music Festival Is A Fun New Frolic
Lauren Ambrose and Kip Beacco at 2015’s festival
By Amy Krzanik
As the Duke Ellington song says, “It don’t mean a thing if it ain’t got that swing,” and the Oldtone Roots Music Festival does got that swing, and that bluegrass, that old-time country, as well as Cajun, contra and Appalachian folk music. Held for one day in Wassaic in 2015, Oldtone will go big this year, with a four-day fest at Cool Whisper Farm in Hillsdale, New York from Thursday, Sept. 8 to Sunday, Sept. 11.
The festival’s founders and producers, Berkshire County musicians Kip Beacco, Matt Downing and Jim Wright, are well known in the roots music world from their bands The Lucky Five, The Hunger Mountain Boys, The Hayrollers and other groups. The trio have used their connections to curate a lineup that includes respected Louisiana Cajun musician Jesse Lége and his Bayou Brew, banjo player Tony Trischka, Michael Daves, The Two Man Gentlemen Band from California whose set will be its only public performance of 2016, NYC’s Raya Brass Band and other singers, duos, trios and full bands from our area and beyond.
Cool Whisper Farm
Friday evening will feature The Oldtone Classic Country Revue offering a convergence of all-star musicians Caleb Klauder, Lauren Ambrose, Andy Bean, Bradford Lee Folk, Pete Adams, Brian Kantor, Sauerkraut Seth Travins and others taking the stage together for a big howdy-doo.
A dance tent will offer live music each night so folks can get their ya-yas out contra, swing or square dancing. There will even be traditional Appalachian clogging. Roots music bands and instrumentalists are invited to participate in contests, and there will be intimate workshops with festival artists on Friday and Saturday.
In true family-friendly style, Oldtone is offering three nights of camping, food and plenty of activities for kids such as music by Hopalong Andrew, face painting, instrument lessons and more. A Friday night Cajun gumbo prepared by The Farmer’s Wife will be overseen by real live Southerner Jesse Lege, and the farm will host a pig roast on Saturday. Hoo-boy! That’s a lot of action.
Hopalong Andrew photo by Bernie DeChant
“We really wanted to do a full-on festival this time, and it just snowballed,” says Beacco. “If we’re doing Friday and Saturday, we might as well do Thursday, and people will camp over Saturday, so we should have some bands on Sunday morning… It’s like when you sit down to eat and your eyes are bigger than your stomach.”
We’re excited to participate in the hoedown and we won’t be alone. “Some people don’t go to festivals because they have an idea that it’s going to be another Lollapalooza or Woodstock, but Oldtone is really for everyone from newborns to 95-year-olds.”
Oldtone Roots Music Festival
Thursday, Sept. 8—Sunday, Sept. 11
Cool Whisper Farm
1011 County Road 21, Hillsdale, NY
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It’s Un Bel Di As We Welcome The Berkshire Opera Festival
By Lisa Green
Since the Berkshire Opera Company folded in 2008, opera productions have been conspicuously absent from the performing arts scene in the Berkshires. So when Jonathon Loy and Brian Garman, both accomplished opera directors and conductors, announced plans to form the Berkshire Opera Festival, it wasn’t only opera aficionados that applauded the venture. While the principals in the cast of the first production, Puccini’s Madama Butterfly, come from elsewhere, Loy and Garman didn’t have to go far to cast and hire many of the chorus, musicians and creative team members.
“I’m very happy to say that about 90 percent of our chorus is from the area, and nearly half of the orchestra is local,” says Garman. “There’s such a wealth of talent in the Berkshires that it would have been foolish not to tap into it. Employing local musicians whenever possible is central to the vision of Berkshire Opera Festival.”
The 2016 inaugural festival season opens on Aug. 27. You’ll appreciate it even more knowing who some of the locals are — on stage, behind it, and in the pit.
Beckie Kravetz, Wigs and Makeup Designer
Kravetz [in photo, above] is a world-renowned theatrical mask maker, which is how she started in the business, but through that segued into designing wigs and makeup. In 1988, she became the resident mask maker for the Los Angeles Opera, where she also worked as a principal makeup artist and assistant wig maker. Now living in Cummington, she’s missed working on opera productions. “I had a connection with an LA Opera colleague who had worked with Jonathon Loy at the Met (Opera Company), so when I read about the new company I introduced myself to him. Coming back to work in my own backyard is an incredible thrill.”
International costume designer Charles Caine, a 20-year Met veteran (and Egremont resident), is also working on this production. He had done a previous “Butterfly” with another wig and makeup designer, Steven Horak, who had a big wig stock, and those will be put to use in the Berkshire production. So Kravetz is primarily focusing on the makeup. While Kravetz often does dramatic, stylized painting for opera singers, she says Loy wants a subtle version of the Butterfly look, so the makeup will be only slightly dramatized.
The biggest challenge, she says, is that everybody is on stage in the first 15 minutes of the opera. “That’s a lot of people to get into wigs and makeup before the show,” she says. Fortunately, she has two assistants — Horak and an intern — and she’ll also be doing a training session with the cast to show them how to get started on their makeup. “Cat’s-eye (liner) works well as Asian eye makeup, and that’s really in style right now, so a lot of people know how to do it.”
Steve Hassmer, Chorus and Uncle Yakuside
The tenor, who lives in Great Barrington, has a small part in Madama Butterfly’s story, as the uncle in the wedding scene. Hassmer’s degree was in music education, but he’s done more performing than teaching; he was in a national tour of My Fair Lady and worked on cruise ships for a while (a “survival job,” he calls it).
“After my wife finished dental school, we moved back east and I’ve been a stay-at-home dad, but in the past year I’ve been looking to get back into performing,” he says. He gave a concert last year in Stockbridge, has been taking voice lessons with the renowned opera singer Maureen O’Flynn, and has sung with Berkshire Lyric and The Cantilena Chamber Choir.
“It’s been such a treat listening to the world-class opera singers,” Hassmer says. “The Berkshire Opera Festival is super professional. Brian Garman is a fabulous musical director, and Jonathon Loy is great at running the rehearsals. It takes a lot of courage to do what these guys are doing, start up a company. They should be commended for trying to bring opera back to the Berkshires.”
Deane Prouty, Orchestra Contractor and Timpanist
Splitting his time between New Marlborough and New York City, Deane Prouty has to be one of the busiest guys in any music scene anywhere. As the orchestra contractor, he is responsible for hiring all of the musicians, holding auditions for the string players and many of the brass and wind players, to put together an orchestra of the highest quality. “We try to fill the roster first with local musicians, then we reach out farther to Albany, Springfield, and then New York,” he says.
Contracting also entails arranging the payroll schedule, collecting paperwork, and managing as a go-between for musicians and staff. He is responsible for arranging the venues for rehearsals and attending to the necessities — such as adequate lighting and room temperature — for the musicians. All of this is on top of being the timpanist, and schlepping the big kettle drums to and from the venues. (Aside from playing in both the Berkshires and New York, Prouty also runs a percussion rental and repair business in the city.)
Prouty was a member of the former Berkshire Opera for eight seasons, so he was able to bring many of those musicians into the BOF. With his familiarity of the region, he says, “I’ve been able to help Brian Garman with Berkshire issues.”
Maia Robbins-Zust, Technical Director
Loy and Garman contacted Robbins-Zust, owner of Berkshire Production Resources, about three years ago when they were first dreaming up BOF. “They said they knew I was a technical director in the area, and could I advise them,” she says. She was the technical director for the Berkshire Opera Company until it folded, so it was a natural for her to take on the position again.
Robbins-Zust is responsible for everything on the production end — building the sets, adjusting the lighting, overseeing the wardrobe staff and supertitles. There are separate scenic and lighting designers, and it just so happens that the scenic designer, Steven Dubay, was a student of hers at Williams College (where she is the technical director of the theater department) a decade ago.
The company is renting theater space at Berkshire Community College to build the sets, and have hired some of the students there to work on the production. Which is a good thing, because there’s a growing need for technical services. “For a rural area like Berkshire County, there are more stagehands than usual because there’s so much here, and theater companies are producing year round now.”
Paula Farbman, Chorus Member and Cio Cio San’s Mother
Lee resident Paula Farbman was a voice major in college (she studied at Juilliard when she was in high school) and a high school chorus teacher in Long Island. She also taught private voice lessons. The soprano sings with The Cantilena Chamber Choir and several other local choruses, but this is the first costumed stage production she’s been in.
“I auditioned for the chorus, and got the role of the mother, singing within the chorus,” Farbman says. “It’s going to be fun. It’s not easy memorizing parts as we get older, but it’s nice singing with a lot of younger singers.”
Farbman thinks the chorus has a good blend, and she’s just as complimentary of the Berkshire Opera Festival staff. “They’re certainly very professional,” she says. “Every day is planned out, and they’re respectful of our time. I really have to say I’m impressed with all of the staff. Having sung a lot, I have a pretty good idea if people know what they’re doing, and these people really do.”
Richard Mickey, Cellist
Opera has been an essential element of Richard Mickey’s career from the beginning, having played with the Philadelphia Lyric Opera Company and the Philadelphia Grand Opera Company as a young student. As a member of the Cincinnati Symphony Orchestra, he worked under music directors who were major opera conductors, so he played a number of concert-form operas.
A Fellow of the Tanglewood Music Center for three years, he moved to the area in 1980, and is a busy freelancer. The Stockbridge resident is also a regular member of the Springfield Symphony Orchestra, Berkshire Lyric Theatre and many other orchestras.
Like some of the other musicians and creative staff, Mickey introduced himself to the Berkshire Opera Festival directors when he saw a news article announcing its intentions. “I’m very impressed with the group and the leadership,” Mickey says. “And I love the Colonial Theatre. It’s a wonderful asset to the Berkshires.”
Berkshire Opera Festival at The Colonial Theatre
August 27, August 30 & September 2 at 7:30 p.m.
111 South Street, Pittsfield, MA
Reserve tickets here or call (413) 997-4444.
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Chatham Dance Festival: Last Time In The Tent
By Amy Krzanik
RIOULT Dance NY
This August might be your last opportunity to see a Chatham Dance Festival performance in the tent at PS21. No, not because it’s closing up shop, but a key feature of it is changing forever. According to founder and board president Judy Grunberg, the organization hopes to retire its famous saddlespan tent next year in favor of a brand-new black-box theater being built a few hundred yards away.
So now is the time to experience one (or more — an all-dance pass is the best deal) of the hand-picked performances to get the full PS21 experience that audiences have been enjoying for the past decade.
Weekend one kicks off this Friday and Saturday with RIOULT Dance NY, Pascal Rioult’s modern dance company known for its sensual, articulate and musical works.
The second weekend, August 19 and 20, welcomes The Chase Brock Experience, a Brooklyn-based contemporary dance company led by Brock, who’s choreographed everything from Broadway shows (Spider-Man: Turn Off the Dark) to the Macy’s Thanksgiving Day Parade. The program will include a pieced titled The Song That I Sing; Or, Meow So Pretty, which the company describes as “equal parts Blue Ridge and Brooklyn” and a “restless, sexy, strummy work [that] employs a mash-up of tap, finger-tutting, clogging, hip-hop, square dance, step dance, jumpstyle and jazz.”
The Chase Brock Experience
On August 26 and 27, Dance Heginbotham (whose founder, choreographer John Heginbotham, received the 2014 Jacob’s Pillow Dance Award), will perform some of its favorite works. The group is celebrated for, among other things, its “athleticism, theatricality, disarming wit and strangeness.”
PS21 favorite Parsons Dance will return to close out the season on Sept. 2 and 3. Warning: tickets to their annual performances sell out fast.
Each year the Festival tries more and more to incorporate the “behind the scenes” of dance, says Grunberg, so the audience can learn more about the companies. Dancers go into the schools, give lectures, and hold workshops for children and adults. This year, the Chatham Public Library will host a talk with Chase Brock; members of Dance Heginbotham will lead an inter-generational dance class for all ages and abilities; and Parsons Dance will hold three sessions geared toward teens.
“We want to bring the very best companies in so as to develop a knowledgeable dance audience in this area,” Grunberg says. The goal is to curate a varied lineup, with each troupe having its own unique flavor and style. “Everyone has a body and everyone moves,” she says. “Even people who think they aren’t interested in dance can find something they like here.”
Chatham Dance Festival at PS21
Friday, August 12—Saturday, September 3
2980 State Route 66, Chatham, NY
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Boston University Tanglewood Institute (BUTI) Plays On
Leonard Bernstein at BUTI. Photos courtesy Boston University Tanglewood Institute.
By Jeremy D. Goodwin
One of Andrew Hitz’s fondest memories from his four summers at the Boston University Tanglewood Institute (BUTI) is the night he got in trouble.
As a wide-eyed teenager soaking up all things musical, the aspiring tuba player had the chance to see the great Leonard Bernstein conduct the Boston Symphony Orchestra at Tanglewood, in what would turn out to be the maestro’s last concert ever. (He died a few months later.)
Determined to shake Bernstein’s hand after the performance, Hitz missed the last shuttle bus up the road to campus, and straggled in long after curfew.
“We got yelled at by the resident assistants. We said, ‘But we met Leonard Bernstein!’ They didn’t care,” Hitz says with a hearty chuckle. The incredible thing in retrospect is that, in the context of a program that gives its students a kind of skeleton key to the behind-the-scenes action at Tanglewood, this particular rendezvous with greatness was not an adequate excuse.
“Experiences like that were a little surreal then and they are even more surreal now, looking back on them,” the tuba player says. Hitz, who relishes time at his family’s lakeside cottage in Otis during the summers, toured the world as a member of Boston Brass for 14 years, and now teaches music students, plays selected gigs, and hosts a podcast about the world of professional brass players.
Pianist Lang Lang coaching a BUTI student.
The BSO’s own Tanglewood Music Center, whose fellows are college-aged or older, has the higher public profile. But BUTI creates its own beehive of activity while mostly serving high school students. Some of those teenagers you sometimes see lugging instrument cases alongside Rt. 183 on the way from the West Street campus to Tanglewood will be some of tomorrow’s classical-music stars. But you can hear them now; BUTI presents more than 70 performances each season that are open to the public. Almost all are free.
This is BUTI’s 50th season. On August 6, a day of campus tours, a piano recital and an alumni panel discussion will culminate in a 50th anniversary show at Ozawa Hall at 2:30 p.m., emceed by Berkshire favorite and BUTI alumna Lauren Ambrose. Other alumni range from Harry Connick, Jr. to Ken-David Masur, assistant conductor for the BSO, who led a program earlier this summer at Tanglewood featuring famed soprano Renee Fleming.
Lauren Ambrose, BUTI alumna.
The August 6 concert will feature commissions by BUTI alumni Nico Muhly and Timo Andres.
“I would like to think that there are a million such places scattered around the world,” Muhly says of BUTI, “but to me it feels like a unique thing. It certainly was in my life. It was a defining musical and social thing. It’s why I’m a composer at all.”
After his time in the program, which gives students access to leading professionals in the field and all the musical magic of Tanglewood, Muhly became the youngest composer to be commissioned by the Metropolitan Opera, and has been a rising star on the scene, writing across genres. He’s written a score for the New York City Ballet, arranged work by pop stars like Rufus Wainwright and Sufjan Stevens, and wrote the music for the 2013 Broadway revival of “The Glass Menagerie.” He’s also been no stranger to the Berkshires since his time at BUTI, writing a commission for the Aston Magna Festival in 2014.
Composer/alum Nico Muhly.
“It was the first time I realized that this is a viable way an adult can behave,” Muhly says of his time in Lenox. “As a kid, saying you want to be a composer is like saying you want to be an astronaut. Then you turn up and go, not only can I do it, but it can be this great thing that happens in this beautiful landscape with all these fun people.”
New BUTI executive director Hilary Field Respass is the first person to hold that job in a full-time capacity; her predecessors doubled as Boston University faculty. Along with another full-time hire, she’s been charged with finding ways for the program to be more self-supporting and not wholly dependent on the university.
“We’re in a period of really focusing on expanding our network of support,” Respass says, citing outreach among alumni and other fans of the program. “We’re really being aggressive and assertive about finding partners to expand our base of support and expand our programming.”
And so, 50 years on and largely outside of the public eye, the aspiring musicians at BUTI continue to play, practice and soak it all in. All of Tanglewood is their classroom, and, once in a while, there’s even a really good reason to miss curfew.
Boston University Tanglewood Institute (BUTI) 50th Anniversary Celebration
Saturday, Aug. 6
9-10:30 a.m. Campus tours
11:30 a.m. Piano recital featuring students and alumni from the Young Artists Piano Program
12:45 p.m. Alumni panel discussion: “Changing Lives, Influencing the World”
2:30 p.m. 50th Anniversary Concert at Ozawa Hall, Tanglewood. Tickets: $20
4:30-6:30 p.m.: BUTI@50 Soiree post-concert reception. Tickets: $30