Rural Intelligence: The Online Magazine for Eastern New York, Western Connecticut and the Southern Berkshires
Tuesday, September 19, 2017
 
Search Archives:
Newsletters Signup
Close it
Get The New App!


Newsletters Signup
Close it

RI Archives: Style

View past House articles.

View all past Style articles.


RI on Facebook    RI on Instagram       

Rewraps

HOLLISTER HOUSE

STAIR GALLERIES

A Hudson Success: David DeSantis, Blacksmith Extraordinaire

Photos courtesy of David DeSantis.

By Jamie Larson

The metal work of David DeSantis is astonishing in quality, variety of style and application. That’s why we were dismayed to see his Hudson, New York gallery close earlier this summer. Thankfully, DeSantis is still happy to work in and around the little city he says changed his life.

“It was extremely sad to close the gallery. I love, love Hudson,” said DeSantis from his home in Sylvan Lake, New York. “It’s crazy how things evolve. When you tell people about Hudson it sounds like such a strange place but I’ve never been to any place where I was happier. I plan on coming back soon, maybe not with a full gallery of my own, but I want to have a presence there.”

The reason DeSantis closed his shop, he said, is it brought him so much work that he didn’t have time to run the storefront. It was through the gallery that he met some of his biggest and most well-known clients, including the likes of men’s designer John Varvatos, architect/interior designer Michael Davis and architect Michael Bird. He also created a breathtaking bench for Olana, which was auctioned off for more than $17,000 to support the historic site. His appeal here and everywhere is obvious — he seems to be able to do absolutely anything with metal whether it’s modern, medieval, art deco, sculptural or anything in between.

“I studied it all but it’s always my customers that push me in new directions,” DeSantis said. “As a craftsman you have to remove yourself and love what your clients love.”

Another aspect that sets DeSantis apart is that when he’s reproducing a historic style in his workshop he’ll only use tools that were available during that period in order to add to the authenticity. Sometimes that means using coal to power his furnace.

”>

David DeSantis, Amy Creedon and Ryan DeSantis with their brilliant bench for Olana.

“A client will ask for a specific style and for me it’s all about testing my own ability. If they want me to replicate a specific work I call it, ‘concurring the artist.’ I reproduce their style but with my flair. For instance, I do a ‘refined (Alberto) Giacometti.’”

DeSantis is currently working on a massive railing for a private home — part of the reason he doesn’t have time for the gallery right now. The huge piece, which wraps around a four-story indoor tree in a private Adirondack home, tells the story of nature in forged steel and bronze, and is codifying his personal artistic vision. Its completion will launch the next chapter of his career, “David DeSantis the artist.”

The first chapter in his life with metal began with a job as a welder for a structural steel company. Then, in 1996, he was hit by a drunk driver and spent a year and seven months in a body brace. It was devastating: his young family had to rely on public assistance and he was unable to do just about anything except read about art and architecture.

“I made up my mind,” DeSantis said. “I told my wife (Jeanne) ‘if I ever work again I want to be a blacksmith.’”

When he recovered he bought some tools and went about teaching himself the craft. In 1998 he opened his first shop and hired Amy Creedon, a metal sculptor, when she was fresh out of college. The combination of his experience and her traditional education and artistry made for an immediately successful partnership.

“She taught me a lot,” DeSantis said. “I love the mind and eye of a woman. I trust her instincts.”

They worked on some major private homes in the South and with furniture designer Gordon Plummer. DeSantis’ business grew quickly through word of mouth.

“I’m really focused on quality,” he said. “I always want to do better and ask myself, ‘how do I get to the next level?”’

Eventually, he came back to New York and worked with the top builders in the Lake Placid area including Campion Platt. He was extremely busy until 2008, when the recession hit.

“By the end of 2009 I ran out of work and had to lay everyone off, including Amy,” he recalled. “I sat in the shop in tears. I felt sorry for myself for a week and then I said, ‘Okay, what can I build?’”

So he built a table and sold it to a former client for $10,000. For the next few years he supported his family by making one piece of furniture at a time. He was able to build the company back up and he rehired Creedon. On a delivery to New York City in 2012, a client introduced him to the art and design scene in Hudson.

“I fell madly in love with Hudson,” he said, noting that at the time he was still really just getting by. “I knew that if I could just open a gallery in Hudson we’d be so much further ahead.”

It was an expensive risk, in 2014, but it paid off the first year. Designers and architects shopping on Warren Street immediately saw how fantastic and versatile DeSantis’ work was. That’s how he met Varvatos, who now relies on DeSantis when he needs metal work in any of his shops or his own private home.

By 2017 there was just so much work coming in that it was time to close the gallery. In only three years in Hudson, DeSantis went from living project to project, to being one of the most sought-after blacksmiths in the nation. Despite his success (including a recent feature on HGTV) DeSantis speaks humbly about his abilities and graciously about his clients.

“What I’m working on now is all my own design and that is really meaningful,” he said. “I’m also training my son now, as well, which is rewarding. I feel like my life is very complete.”

Enjoy this post? Share it with others.

Posted by Jamie Larson on 08/07/17 at 10:09 AM • Permalink

Tomorrow’s House Today: Hillsdale Tour Goes Contemporary

By Amy Krzanik

You can “step back into the past” by viewing historical artifacts or touring ruins and relics, but can you travel forward into the future? I would argue that you can, and you can do it next weekend, on Saturday, Aug. 12 from 11 a.m. to 3 p.m. in Hillsdale, New York. The Hillsdale Historic House Tour Committee has turned its popular tour on its head and this year will offer glimpses into six “Historic Houses of the Future.”

The committee, whose last tour was held in 2014, previously had featured homes located along the same street for easy viewing. But, as with all historic things, they’re not making any new ones and a member suggested focusing on contemporary “green” homes instead.

“We had two criteria,” says committee member Meg Wormley. “The homes had to be excellent examples of 21st century design and/or renovation, and they had to be energy efficient.”

You’ll need a car for this year’s venture, but you’ll be rewarded with some fine architectural specimens, and all the behind-the-scenes information, to boot. In two cases, the owners of the houses are the architects and they’ll be there to talk about their designs. Another owner will be on hand to discuss the green aspects of his home and will even take guests into the basement to see how it all works.

A box lunch from Simons Catering is included in the $40 tour price and will be served under a tent at the Roe-Jan Library, itself a “green” building. During lunch, architects from Hudson-based firm BarlisWedlick will give the talk “Classic and Modern: Designing Homes in Columbia County for the 21st Century.” Proceeds from the tour will go toward the preservation of the East Gate Toll House on Rt. 22 in Hillsdale, and provide funding to repair and maintain some of the historic cemeteries in the town.

So, without further ado, let’s meet our homes:

1. Designed by architect Joel Turkel, whose Axiom houses are customized pre-fabs that use minimal material and energy to build, this sleek, energy-efficient home utilizes geo-thermal and solar panels.

2. Architect Bruce Coldham designed this home which was built by the owners, Steven and Kathy Bluestone. It’s been certified by the Passive House Institute US, a highly sought but very difficult certification to earn. The home was built using autoclaved aerated concrete (AAC) blocks, which are up to 75% lighter than conventional concrete blocks and are superior thermal insulators. In addition to being passive, the home is “energy positive,” meaning the house produces more energy than it requires annually.

3. This window-filled home, inspired by the work of Frank Lloyd Wright and fully realized by the owner-architect and his wife, is a stylish contemporary with a commanding mountain view, a pond with a story of its own and a whimsical interior.

4. This glass cabin in the woods, a lifelong dream of the architect-owner, blends the work of the California modernists with the charm of a single-pitch roof popular on local barns. Sixteen glass doors line the long sides of the house so that every room has access to the outdoors and the deck that wraps the house.

5. The newest home on the tour is a recently completed house with two thick zigzag walls under a faceted roof, which results in a versatile two-level floor plan. The home is super insulated and strategically sited so as to use the sun as its major source of energy. This Net Zero house by architect Stephan Green produces as much energy as it consumes.

6. The last house on the tour is a completely redesigned, renovated and modernized 1974-era home that now boasts clean lines and sharp angles, in a palette of primarily shades of gray and black.

Tour tickets are $40 each and can be ordered online or at Passifora or The Hillsdale General Store. All tickets will be available for pickup at Hillsdale Town Hall on Aug. 12 starting at 10:45 a.m.

Patron & Sponsor Tickets
Patron tickets are $100 per person and include a cocktail party on Sunday, Aug. 13 from 5-7 p.m. at an additional contemporary home not on the tour. Sponsor tickets are $150 per person and include the tour, entry to the cocktail party, and your name or business listed in all event material. For more info., contact hillsdalehousetour@gmail.com.

Tour and patron tickets must be ordered by Aug 7. Sponsor tickets must be ordered by Aug. 4.

Enjoy this post? Share it with others.

Posted by Amy Krzanik on 08/01/17 at 12:25 PM • Permalink

At The Hudson Company, What’s Old Is Reclaimed And Customized

Hudson Company flooring in a private home in Ancram, New York. Photo by Garrett Rowland.

By Jamie Larson

The Hudson Company, based out of a mill and showroom in Pine Plains New York, is quietly making some of the best reclaimed wood flooring and siding produced anywhere. That’s why so many major institutions, including the new Whitney Museum of American Art, hotels and restaurants are designing their spaces with the Hudson Company’s involvement. But it’s not just the public space — their work in home interior design in our region and beyond can be equally jaw dropping.

The floor in the Whitney Museum of American Art by The Hudson Company. Photo by Gentle & Hyers.

The craft of reshaping wood from an old barn into character-rich flooring and siding that works in modern design contexts is dizzyingly complex. But that’s what the market demanded, and Hudson Company owner Jamie Hammel, who formerly worked in the corporate world for major companies including NBC and Conde Nast, saw an opportunity to fill an unmet need.

In 2009 he bought the Antique and Vintage Woods of America company and completely reshaped and rebranded the business. One of the most important changes he made was that instead of outsourcing milling work, he moved the mill into the Pine Plains warehouse so his team could increase the technical quality of every aspect of the process. The result is an impressive catalogue of hundreds of specialized and perfected products. And if you don’t see exactly what you want, they will do it custom.

A stunning private home in Millbrook, New York. Photo by Gentle & Hyers.

“I just thought there was a unique opportunity to increase the standard of the industry,” says Hammel, who just finished moving the company’s NYC showroom from Brooklyn to Manhattan. “The market evolved. People used to want antique wood, but there wasn’t much control over what you got. That doesn’t fly with our clients. We insure the quality and level of ‘defect’ to very specific degrees.”

Hammel says his clients, whether they are on Park Avenue or in Amenia, don’t just want old wood, they want wood with character in a very customized way. The market has also demanded pre-finished flooring. This wood can be hard to finish, especially after installation, so in 2012, The Hudson Company started refinishing in-house as well. Another complication is that the source material is finite, so Hammel’s crew has become creative. They now gather material from mushroom farms, which grow their crop on wood that gets uniquely textured during the natural process. They have also started a process applying veneers of reclaimed wood to new planks in an effort to save product and now even mill some new lumber.

Hudson Company custom flooring in a home in Amenia, New York. Photo by Nils Schlebusch.

“It’s an art and a science,” Hammel says. “From start to finish we’ve crafted the floor for you. Because we are so custom, every job requires spontaneity and improvisation. We like to fill the role on a project as materials consultant so clients and designers can fulfill their vision. It’s our job to deliver exactly what they’re looking for.”

That’s easier said than done when the raw materials are gnarled old planks, some too deteriorated to use and all filled with old nails.

Jerry Woods, who’s been with The Hudson Company since almost the beginning, pulls all metal out and grades it for the first time. Some pieces he decides just aren’t usable. Then they go into the kiln to dry, and there’s some loss there too, as boards split, crack or even explode. There’s a second grading before they are planed on the manufacturing line and are finally graded a third time. Fifty percent of the wood they salvage is lost to the process even with their improved efficiency.

A Manhattan kitchen featuring some of The Hudson Company’s lighter colored flooring, which is particularly in fashion at the moment.

Most of the wood the company produces is custom milled specifically for a particular job, but The Hudson Company also carries a selection of stock on hand. Prices range from as low as $7.50 a square foot to $35 a square foot for the most intricate design patterns and rarest materials. (If you are looking for a really good deal — you heard it here first — The Hudson Company will hold its first clearance sale August 16-19, at the Pine Plains mill. It’s an excellent opportunity to grab up materials for small projects, with items starting at a dollar and products priced as low as 75 percent off.)

The visitors center and gallery at Art Omi in Ghent, New York.

“Several years ago there were two kinds of clients,” Hammel says. “There was the pristine Park Avenue style, where it’s such a clean finish it almost doesn’t look like wood, and then there was the super rustic style — the more character the better. We’ve found those worlds are colliding. People want that character but with a professional finish.”

Their biggest job, and arguably the biggest in the reclaimed industry, was the floor The Hudson Company milled for the Whitney Museum of American Art.

Another detail in the Millbrook home. Photo by Gentle & Hyers.

“The Whitney Museum was a tremendous project for us,” Hammel says. “It was all reclaimed from the Philip Morris factory. That floor has gone viral, as much as a floor can go viral. We hear from people who want to reproduce that floor.”

The gallery floor is the largest repurposed wood floor in the country and has put the Hudson Company’s work at the top tier of the industry. Other work includes the Jewish Museum, Public House, and 1 Hotel Central Park. They’ll also soon provide the finishing touches on the High Line, another extremely visible display of their craftsmanship.

Being able to supply a product that’s so naturally textured but also extremely consistent and customizable has really made the company a go-to for these major projects… as well as, perhaps, your own kitchen floor.

“Day to day, it’s sometimes hard to step back and appreciate everything we’ve done so far, but I’m proud we’re preserving aspects from these old structures and that people get a chance to really appreciate them again,” Hammel says. “Above all, I’m proud we’re making something in the state of New York. We aren’t a big business but we are the second largest employer in Pine Plains and we’re offering our employees benefits. This team is doing great work.”

The Hudson Company
2290 Rte. 199, Pine Plains, NY
(845) 848-3040
Monday–Friday, 8 a.m. to 5 p.m.

Enjoy this post? Share it with others.

Posted by Jamie Larson on 07/17/17 at 10:38 AM • Permalink

The High-Performance House, Part 8: Almost There

Rona Easton and Lonn Combs of EASTON+COMBS, the award-winning architectural office based in New Marlborough, Mass. have allowed Rural Intelligence to look over their shoulders (and those of their client) throughout the construction process of a high-performance home going up right now. This is the eighth installment in a series that is giving us a lens into the building of an energy efficient house in Egremont, Mass.

View from the north

To recap: Last fall we broke ground on a house commissioned by a homeowner who requested a “house that would not use fossil fuels, and would be resilient in a variety of scenarios.” We’ve shared our process with Rural Intelligence readers throughout the year and now, finally, the house is nearing completion, both on the exterior and interior. The exterior metal is almost completely installed, and the bridge between the two buildings is in fabrication, to be delivered and installed within the next month.

View of the south.

View of the west facade.

The west facade.

 

The entrance canopy, waiting for the deck that will soon be installed.

The entrance canopies, fabricated by digifabshop in Hudson look fantastic. Our design priority was to provide shelter at the entrance doors, and to do it with subtlety, which we achieved by a straightforward design attached to the house wall. We kept it in metal, painted to match the building finish.

Light floods the house.

We continue to see and wonder at the full effect of the skylights and large windows, which flood the interior with sun and light all day. It’s hard to imagine that lighting would ever be used before dark. These hot days give us our first taste of the environmental impact of the high-performing building envelope. The house is cool and comfortable — without any air conditioning; it’s quite a shock when you step outside to the heat.

The skylight in the master bathroom, an interior space with no window, brings warmth to the space not possible with artificial light. The sky is visible from the shower, and you never lose your connection to the outside.

 

Enjoy this post? Share it with others.

Posted by Lisa Green on 06/12/17 at 11:51 AM • Permalink

The High-Performance House, Part 7: Here Comes The Light

Rona Easton and Lonn Combs of EASTON+COMBS, the award-winning architectural office based in New Marlborough, Mass. have allowed Rural Intelligence to look over their shoulders (and those of their client) throughout the construction process of a high-performance home going up right now. This is the seventh installment of eight (or so — this is construction, after all) in a series that is giving us a lens into the building of an energy efficient house in Egremont, Mass.

The exterior metal finish moves towards completion.

The installation of the robust, maintenance-free metal finish is moving ahead. It’s a surprisingly economical solution, offering “serious bang for your buck” according to Jim Cervone of Little Deer Construction, the General Contractor. It’s amazing to watch the installers from Wooliver, the metal fabricators, fold the steel like master origamists folding paper.


The windows are surrounded by a folded metal edge and sill that sheds water and provides a visual frame around the openings.

On the interior, all the infrastructure we don’t see in a finished home is steadily finding its place — heating, cooling and ventilation ducts, electrical cables. More notably, the skylights are in, flooding the interior with natural light and its well-documented psychological benefits (as well as decreasing the need to turn on the lights).



We have strategically located the skylights against walls, reflecting the light and maximizing its presence in the space. Designed to appear frameless, they provide direct and uninterrupted connection to the sky.

The house is filed with natural light, even on a cloudy day.

The skylight in the kitchen.

Coming up: Interior finishes and the bridge connection between the buildings.

Enjoy this post? Share it with others.

Posted by Lisa Green on 05/05/17 at 08:32 PM • Permalink

The High-Performance House, Part 6: The Facade Takes Shape

Rona Easton and Lonn Combs of EASTON+COMBS, the award-winning architectural office based in New Marlborough, Mass. have allowed Rural Intelligence to look over their shoulders (and those of their client) throughout the construction process of a high-performance home going up right now. This is the sixth installment of eight (or so — this is construction, after all) in a series that is giving us a lens into the building of an energy efficient house in Egremont, Mass.

If you read our previous installment in this series on the Smart Wall, you will remember how the so-called rain screen, or ventilated facade, plays a critical role in the environmental performance of the house.

As we said, controlling moisture and preventing mold build up is the fundamental challenge of our new, high performance walls. An exterior rain screen — a ventilation space between the wall sheathing and exterior finish — is one of the keys.

Mock-up built to study wall assembly. This diagram illustrates how the ventilated facade supports the successful performance of the wall.

Now we can begin to see the the outermost layer of the rain screen, and the building, take shape. The metal is being installed on the wood battens on both the roof and the walls, and looks stunning. In addition to playing a vital environmental role, the metal also provides a maintenance-free finish; no need to stress over a significant repainting bill in 10 years.

Garage/studio building with metal roof and facade.









The complications, and maintenance, of gutters and roof overhangs are avoided because the system passively manages water rather than trying at all costs to repel it, much to our client’s liking “I’ve found the experience of maintaining a house extremely frustrating, and wanted my new house to be very low-maintenance,” she said. “I don’t want to have to find someone to clean my gutters ever again!”

All of the details, including at the roof eaves and around the windows, have been carefully developed to allow air flow into the ventilation space and at the same time shed water.

 

Enjoy this post? Share it with others.

Posted by Lisa Green on 03/12/17 at 02:18 PM • Permalink

The RuraList Sings The Blues (On Trend For Spring)

If you follow color trends, you know that “Greenery” is Pantone’s Color of the Year for 2017. It’s “a refreshing and revitalizing shade, symbolic of new beginnings,” says the color forecasting institute.

But perhaps we’re not quite at the “new beginnings” just yet, because that leafy hue hasn’t quite hit the market (at least not around here). And while Pantone’s Greenery might be an interesting yellow-green, the trend forecast is all about the blues — all shades from sapphire to teals and soft baby blues that can range from the dramatic to the beachy.

“Next to neutrals, there’s no easier hue to work with than blue,” says Lori Thorpe Rasmus, an interior designer at Paul Rich & Sons in Pittsfield and Great Barrington, Mass. Since spring can’t come soon enough, we asked Rasmus to tell us why we should be planning to put some blue (the color, not the feeling) in our homes now.

1. Famously calming and peaceful, blue can have very different effects on a room depending on its temperature.

2. Blue removes pretension from formal living area. There are formal aspects to the room vignette here, from the crisp chrome tables to the clean lines of the sofa, yet it still feels inviting.

Room setting from Paul Rich & Sons.

3. Various shades of blue work well together and don’t overwhelm the space. When treating lighter blues as neutrals, you still have the flexibility to accent with bold pillows, accessories and rugs in shades of blue or warmer colors like yellows and anything in the red family.

4. Shades known as cool blues – like cobalt, turquoise and ice blue – have yellow in them and tend to recede, which can help a small space look bigger.

“In my mind, there’s no such thing as too much blue,” Rasmus says. “You can’t be stressed out in a blue room; it invites a sense of tranquility. Blue-on-blue can feel right as rain, as well as remind us of a gorgeous summer sky.”

Enjoy this post? Share it with others.

Posted by Lisa Green on 02/13/17 at 09:51 PM • Permalink

The High-Performance House, Part 5: Revelations

Rona Easton and Lonn Combs of EASTON+COMBS, the award-winning architectural office based in New Marlborough, Mass. have allowed Rural Intelligence to look over their shoulders (and those of their client) throughout the construction process of a high-performance home going up right now. This is the fifth installment of eight (or so — this is construction, after all) in a series that is giving us a lens into the building of an energy efficient house in Egremont, Mass.

One of our priorities as we developed the design of this house was to carefully locate and size windows to frame the views of the beautiful wooded site and its dramatic rock outcrops, and to allow in an abundance of natural light and solar gain. These visual connections to the outside connect the occupant at all times with the landscape, and the bright and spacious interior is being seen now that the windows are installed. We’re pleased that this has become evident to our client, who wrote to us that she is thrilled with “things that you were able to imagine in the initial design.”


All of the triple-glazed windows have been installed and the metal exterior finish has started. The finish on the roof will also be installed on the walls.


The orientation of the house prevents excessive heat gain in summer and maximizes it in winter.


The main living space looking towards the entrance to the left of the entrance vestibule core, and the kitchen to the right.


Left: the rear entrance to the right and the kitchen ahead. Right: Looking past the bathroom core to the master bedroom. Once drywall is attached to the frame on the walls and ceiling, it will form a service cavity for all electrical wiring, avoiding puncturing the interior moisture control wrap (Intello).

Enjoy this post? Share it with others.

Posted by Lisa Green on 02/06/17 at 10:01 AM • Permalink

The High-Performance Home, Part 4: Windows And Wraps

Rona Easton and Lonn Combs of EASTON+COMBS, the award-winning architectural office based in New Marlborough, Mass. have allowed Rural Intelligence to look over their shoulders (and those of their client) throughout the construction process of a high-performance home going up right now. This is the second installment of eight (or so — this is construction, after all) in a series that is giving us a lens into the building of an energy efficient house in Egremont, Mass.

Most of the triple-glazed, European-style windows have been installed.

Some days on site this last month, it truly felt like the depths of winter, reminding us of the advantages of triple-glazed windows. It doesn’t matter how high the wall performance is; windows just have a lower insulating capacity. In fact, an average double-glazed window insulates to about 1/13th the level of our wall assembly, and even well installed windows will feel cold (although this is actually convection, not a draft). Triple-glazed windows perform about twice as well as double, enough so that you can sit comfortably in front of them in winter.

View of the house from the south.

View of the house from the north.




The interior is beginning to take shape while the installation of the windows proceeds. The interior wrap has been attached to the building frame and taped, and the cellulose insulation will be installed soon. (Cellulose is one of the oldest types of insulation — a fill that is blown into the wall, rather than laid in like a blanket. Modern cellulose is made from recycled newspaper, treated with a fire retardant and a non-toxic chemical that repels insects.)

The European-style “tilt and turn” triple-glazed windows provide further value in their engineered, thermally broken frames. On the left is the tilt position and on the right is the turn.

The interior wrap has been installed. As part of the wall assembly the wrap will control moisture movement through the wall — in both directions — making sure none is trapped in the wall.



Next, installation of the standing seam metal roof and façade will begin, forming the exterior face of the rainscreen.

Windows in the kitchen provide south and west light and views.

 

Enjoy this post? Share it with others.

Posted by Lisa Green on 01/09/17 at 07:23 PM • Permalink

The High-Performance Home, Part 3: The Rainscreen

Rona Easton and Lonn Combs of EASTON+COMBS, the award-winning architectural office based in New Marlborough, Mass. have allowed Rural Intelligence to look over their shoulders (and those of their client) throughout the construction process of a high-performance home going up right now. This is the second installment of eight (or so — this is construction, after all) in a series that is giving us a lens into the building of an energy efficient house in Egremont, Mass.

The exterior wrap is on and the house is closed in.

By Rona Easton and Lonn Combs

The site has been quiet this month, but the exterior plywood and the smart building membrane, or wrap, are in place (holes in the wrap to be cut later for windows), closing in the building and allowing interior framing to proceed.  We are looking forward to the upcoming delivery and installation of the triple-glazed windows.

Interior work can begin.

The exterior metal wall finish will be attached to the battens (the long strips of wood on the roof and soon the walls) which create a gap, or cavity, between the smart membrane and the finish, creating what is known as a rainscreen system — a key, passive environmental system that mediates between the exterior climatic conditions and the exterior wall.

Mockup built to study wall assembly.

The image at left shows a full-scale mockup we built to study the roof eaves at the corner of the building. The continuous, horizontal ventilation gap where the wall meets the roof is small, only half of an inch, but it is enough to allow air movement and small enough to minimize bulk water entering the cavity.

The complications, and maintenance, of gutters and roof overhangs are avoided because the system passively manages water rather than trying at all costs to repel it, much to our client’s liking. “I’ve found the experience of maintaining a house extremely frustrating, and wanted my new house to be very low-maintenance,” she told us. “I don’t want to have to find someone to clean my gutters ever again!”

As with the entire exterior wall assembly, the rainscreen system is another example of what we like to call an essentialist approach to design, where simplicity and practicality align perfectly not only with a beautiful aesthetic but also a finely tuned and efficient functionality.

 

Enjoy this post? Share it with others.

Posted by Lisa Green on 11/28/16 at 02:04 PM • Permalink