An image from a performance during Shakespear & Co.'s "Celebrating Jewish Plays."

Keeping a major arts institution open past Labor Day is risky business: the tourists thin out, but heating a hall and running a stage crew costs the same in October as it does in July. The easy, historically normal move is to go pretty dark until Memorial Day, but a growing number of venues around the region are making the harder bet instead—that our lust for art and culture isn't seasonal—and this fall's calendar is the result: more music, more dance, more theater, and more reason to leave the house than in years past.

New Art Rewriting Autumn

Jacob's Pillow
Becket, MA—October 16–18 and October 23–25. The Doris Duke Theatre, where this fall's programming happens, burned to the ground in November 2020, a year after the Pillow had already gone virtual for the pandemic. It was rebuilt and reopened in 2024 as a technological marvel. This year's fall season doubles down: Youth America Grand Prix's new choreographic fellowship gets its first public performance ever, October 16 through 18, handing a handful of emerging ballet choreographers a bigtime stage. The following week, Doug Varone and Dancers mark the company's 40th anniversary, October 23 through 25, with a program pulled from four decades of work across dance, theater, opera, and film.

Doug Varone and Dancers mark the company's 40th anniversaryat Jacob's Pillow

Tanglewood Learning Institute
Lenox, MA—October 16 and November 7. TLI's year-round programming is three years deep now, and it's caught a stride. Three-time Grammy winner Ulysses Owens Jr. returns October 16, spending part of his visit mentoring local music students in addition to performing. Then, on November 7, Berkshire Bach Portals pairs violinist Eugene Drucker reading from his own novel about a musician forced to perform for prisoners in a World War II concentration camp with Drucker then playing the Bach partita the book was written around.

Shakespeare & Company
70 Kemble St., Lenox, MA—October 9–11. "Celebrating Jewish Plays," the company's own second-year series, hosts three staged readings at the Tina Packer Playhouse. It already has a track record worth paying attention to: two of last year's readings have gone on to become fully produced premieres on the company's mainstage, which makes this year's three-night lineup less a one-off event than an early look at seasons to come.

field (Inaugural Ideas Festival)
Lenox, MA—October 23–25. This brand-new "ideas festival" brings writers, scientists, and public thinkers together for a weekend of live, on-stage conversation, modeled loosely on the format of festivals like Aspen Ideas but built from scratch in the Berkshires. Founder Hunter Runnette previously spent years building the region's WIT Literary Festival before folding it into this successor. Shakespeare & Company veteran Elizabeth Aspenlieder is producing, and Bernard Schwartz—who has curated for the Library of America, Tanglewood, and 92NY—runs programming. No speaker lineup has been announced yet, but a first-year festival arriving with that much institutional experience behind it sounds promising.

MASS MoCA
North Adams, MA—October 2, 9, 16, and 17. Lucinda Williams opens the run October 2 with a FreshGrass-presented show. Devendra Banhart rolls in himself October 9, and on October 16, Melissa Auf der Maur—the former Hole and Smashing Pumpkins bassist who also co-founded Basilica Hudson—talks through her new memoir, Even the Good Girls Will Cry, and shares photographs from her touring years. The next night, October 17, beloved but anxiety-riddled New Yorker cartoonists Roz Chast and Jason Adam Katzenstein sit uncomfortably to talk about their new book, The Two Saddest Kitchens.

Hudson Hall
Hudson, NY—October 2–4 and 17. The ninth annual Hudson Jazz Festival, October 2 through 4, turns bars, farmers markets, and storefronts across town into stages for the weekend. Then, October 17, "50 Years of PUNK" opens as a free exhibition gathering five decades of the magazine's covers and artwork, curated by PUNK's own cofounder—punk zine culture getting the museum treatment in a city with a long history as a black sheep.

Basilica Hudson
Hudson, NY—October 30. Third Eye Blind, the 1990s alt-rock band with a knack for earworms, marks the venue's first major crowd-pleaser booking under a new Bowery Presents partnership. Melissa Auf der Maur and her husband, filmmaker Tony Stone, took over the space in 2010 and spent the past decade and a half growing the derelict city icon into a world-class alternative arts venue. It will be interesting to see how the addition of performances by more mainstream acts shapes its future.

The Found Footage Festival comes to Great Barrington.

The Triplex
Great Barrington, MA—October 4 and 12. Michelle Kaplan, who runs the radio show/quirky regional online culture guide Mishmash and organized last month's massive and meaningless Sunshine Orange Subaru Parade through town, spent this year pulling off a couple of really unique film screening events. October 4, the Triplex throws Found Footage Festival Vol. 11, in which Joe Pickett and Nick Prueher narrate the worst VHS tapes America has ever produced. Then, on the 12th, the Triplex screens The History of Concrete, John Wilson's directorial debut, with Wilson doing the Q&A himself. Kaplan got Wilson to agree to it in person at a theater he'd just opened himself in Ridgewood, Queens. Kaplan is creating the cultural events she wants to see by force of will, and says she wants to inspire others to do the same.

FilmColumbia
Crandell Theatre, 48 Main St., Chatham, NY—October 16–25. Running its own festival since 1999, FilmColumbia returns for a 26th edition built around more than 40 films. There are major award hopefuls alongside anniversary screenings, local-filmmaker shorts, and events. This year's honoree is Chatham's own Jane Schoenbrun, the writer-director behind Teenage Sex and Death at Camp Miasma, a meta comedy-horror sendup of 1980s slasher films that premiered at Cannes, won the Queer Palm, and has been running hot as one of the indie hits of the summer. It's a strange kind of homecoming for a filmmaker whose new movie centers on Camp Tivoli, the abandoned campground where the film's in-story slasher franchise was shot—though reviewers place the story's own setting in the Pacific Northwest, not around here, so the local-geography connection may end where the name does. It's only the second festival held in the Crandell since it underwent major restoration and upgrades.

Olana in fall. Courtesy of the Olana Partnership.

Season's End: Exhibits Leaving Soon

Olana
Hudson, NY—October 15 and closing October 25. Olana's celebration of painter Frederic Church's 200th birthday hits a milestone October 25 with the close of the "Frederic Church: Global Artist" exhibition, featuring paintings and oil sketches tracing a career built on travel to South America, the Arctic, and the Middle East. Ten days earlier, October 15, the bicentennial's Third Thursday Outdoor Evenings series gets its last date of the year on the East Lawn, with composer Larry Chernicoff.

Norman Rockwell Museum
Stockbridge, MA—October 10–11 and closing October 26. American Stories: From Revolution to Rockwell, the museum's 250th-anniversary flagship exhibition, closes October 26. Chief curator Stephanie Haboush Plunkett has said the show grew from a simple premise: "We recognize that illustration had a tremendous role in shaping the American identity and American aspirations," adding that the idea is that American identity "has never been fixed" but is "continually made, contested, and reimagined through the pictures that we create and share." Indigenous People's Day weekend, October 10 and 11, brings special guided tours highlighting the Native American artists represented in the show.

The Clark Art Institute
Williamstown, MA—Closing October 12. Ground/work 2025, six large-scale, site-specific sculpture installations by international artists spread across the Clark's 140-acre campus, closes October 12. Clark director Olivier Meslay has called the museum's broader 2026 lineup a chance to deliver "exceptional encounters with art," and the outdoor sculptures—by artists working in Japan, the U.K., Mali, the U.S., Switzerland, and Mexico—have been a captivating summer presence.

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Jamie Larson
After a decade of writing for RI (along with many other publications and organizations) Jamie took over as editor in 2025. He has a masters in journalism from NYU, a wonderful wife, two kids and a Carolina dog named Zelda.