Arts

Arts

Lungs at Barrington Stage

Brooke Bloom and Ryan King in Barrington Stage Company's production of Duncan Macmillan's Lungs, directed by Aaron Posner, the debut production at BSC's newly acquired theater space, the St. Germain Stage. We are in the midst of an extended period in theater, film, and

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Arts

Festival Explores Interplay of Jewish and African-American Music

As every great American composer, from Gershwin to Duke Ellington to Leonard Bernstein, would have explained without missing a beat, Jewish and African-American music not only have a lot in common — they helped create the distinctly American art forms of jazz, blues, and popular music of yesterday and today. On

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Arts

David Dorfman: Dance to the Music

Dance review by Bess J.M. Hochstein Photos: above, Kate Enman; below, Cherylynn TsushimaProphets of Funk, an evening-length work performed by David Dorfman Dance this week at Jacob’s Pillow, begins with the choreographer strutting his stuff diagonally across the stage on a path of light. He’s no longer

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Arts

Aspen Santa Fe Ballet: Articulate Company

Dance review by Bess J.M. Hochstein Photos: Rosalie O'Connor A well-composed program of work by three European choreographers, in performance by Aspen Santa Fe Ballet this week at Jacob’s Pillow, shows off the many skills of this company’s ten talented dancers: speed, strength, grace, presence,

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Arts

The Wharton Salon: Bringing Edith Wharton's Works to Life at The Mount

Preview by Bess J.M. Hochstein Longtime Berkshire theater goers fondly reminisce about the days in the late 1970s when Tina Packer and her merry band of thespians took up residence at The Mount, where, in addition to Shakespeare, they performed theatrical adaptations of the work of the estate’s

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Arts

David Neumann and Jodi Melnick Join Forces at Jacob’s Pillow

Dance review by Bess J.M. Hochstein Photos: above, Julieta Cervantes; below, Cherylynn Tsushima Is it downtown week at Jacob’s Pillow? In the Ted Shawn Theatre, Trisha Brown, enduring icon of the Judson Church dance days, marks her company’s 40th anniversary in a program that travels through the

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Arts

Trisha Brown Dance Company Marks 40-Year Anniversary at Jacob’s Pillow

Dance review by Bess J.M. Hochstein Photo: Julieta CervantesTrisha Brown is the Eileen Fisher of the dance world. Like Fisher’s clothing, Brown’s dances are loose, comfortable, fluid, and seemingly simple and unstructured while actually finely and smartly constructed with shrewd attention to detail. Like Fisher in the

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Arts

Word Up! Taylor Mali on Word X Word Festival 2011 and the Lives of the Poets

What’s the word? Find out this week in Pittsfield at the third annual Word X Word Festival from August 13 – 20. This celebration of words written, spoken and sung—created in 2009 by Jim Benson, proprietor of Mission Bar + Tapas—kicks off with its now-legendary rooftop party, one of

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Arts

Hudson Music Fest: It's Not Only Rock 'n' Roll, But You'll Like It

. by Betsy Miller Organizers of music festivals tend to follow the Woodstock model—one outdoor site, many acts scheduled over the course of several days.  This weekend, impresarios in the city of Hudson will test a different construct: 10 restaurants, 2 performance venues, 5 tents, 1 radio station, and 4

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Arts

Dia-fied: Blinky & Co. at Beacon and Bard

by Scott Baldinger “Art is not innocent (Oscar) Wilde says ... Violence can be done in its name. Indeed, the twentieth century brought forth many Dorian Grays: fiendishly pure spirits so wrapped up in aesthetics that they become heedless of humanity.” This quote, from a recent New Yorker article by Alex

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Arts

Jonah Bokaer: School at Jacob’s Pillow Alum Returns with Two U.S. Premieres

Dance review by Bess J.M. Hochstein Photos of Why Patterns by Artworks ©Daniel Arsham/Snarkitecture Much has been made of the fact that Jonah Bokaer was, at age 18, the youngest dancer to join the Merce Cunningham Dance Company; that he takes an interdisciplinary approach to dance, collaborating with

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Arts

3e Étage (3rd Floor): First Rate, Seriously Playful Dance

Review by Bess J.M. Hochstein Photo: Steve Murez At the end of La Valse Infernale, a satisfying, virtuoso snippet of traditional ballet choreographed by Raul Zeummes—with long-limbed, bun-headed ballerinas spinning and posing on point and men bounding skyward—that builds into a frenzy of leaps, jumps, arabesques and

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